TEL：(+886)-3-9705815 / Fax：(+886)-3-9605237 / Address: No. A cangue (/kæŋ/) or tcha is a device that was used for public humiliation and corporal punishment in East Asia and some other parts of Southeast Asia until the early years of the twentieth century. Pym, Anthony "Explaining Explicitation," in Krisztina Károly and Ágota Fóris (eds.)
After liberation, Jinkui threw himself into study with all his enthusiasm.
Following the transeme model, the revised model will approach it from two respects. In contrast, in Love in Redland political elements completely overwhelm artistic elements. .
A shift from exotic style to natural style is called naturalization, and the other way round, exotization. One example will suffice.
The journey from Sophia to Zhenzhen and finally to Heini shows that eventually Ding Ling’s individuality was completely replaced by an ideology.
(p. 213). Son of King Ae…, GOLDEN AGE .
Chi-chiao is trapped by ‘the cangue of love’ and ‘the cangue of money’, her personality becomes distorted. Thus, to find out shifts in cohesion, we need to pay attention to shifts concerning the sentence structure and word choices.
In the revised model, syntactic shifts are of two major manifestations: shifts in sentence type and shifts in complexity. In David Wang’s view, Zhenzhen’s body is exploited by both the Japanese and the Communists.
https://www.encyclopedia.com/arts/encyclopedias-almanacs-transcripts-and-maps/golden-cangue-jin-sou-ji-zhang-ailing-1943, "The Golden Cangue (Jin Sou Ji) by Zhang Ailing, 1943 Since its inauguration, GuoGuang has been striving to retain the outstanding qualities of this traditional art form while forging new works in tandem with the times, particularly with the use of the modern theatre concepts. The second is the degree of perceptibility of the narrator. Familial hierarchy: In the Golden Cangue the familial hierarchy is dismantled, which contrasts cornerstone elements of the traditional Chinese family structure: a family was well balanced, observed strict filial piety and respected elders. Ch’i-Ch’iao is hated by her immediate family, in particular her children and her in-laws. With the idea of Leech and Short, segmentation can be specified as three types: chronological segmentation, psychological segmentation and presentational segmentation (1981: 236). The third section of the paper describes the roles of women in Zhang's work "the Golden Cangue" which was published in 1943 when she was only twenty-teree. Lörscher, Wolfgang Translation Performance, Translation Process, and Translation Strategies: A Psycholinguistic Investigation. For example, seeing Chiang Chi-tse is not tempted by her, Ch'i-ch'iao sneers at the dissolute hypocrite: ST3: Bie shuo wo shi ni saozi, jiushi wo shi ni naima, zhipa ni ye buzaihu. Nevertheless, because of shifts in stylistic and syntactic meaning, the TT expressions are tinged with strong foreign flavor that demands greater efforts in comprehension, and its sentences are generally longer and more complex than those in the ST. But as Ts’ao Ch’i-ch’iao becomes his legal wife, she is then bound to serve him faithfully. The Golden Cangue (Jin Sou Ji) by Zhang Ailing, 1943 The Golden Cangue (金鎖記) is a 1943 Chinese novella by Eileen Chang. Burdened by a guilty conscience, Ottilie commits suicide.
Eileen Chang’s doubts about the meaning of life and her questions about the significance of human existence give her works a remarkable philosophical depth. Bit by bit, the moon slowly from cloud came out.
He argues that “Peach Blossom Fan is concerned with politics, the nation and history whereas Dream of the Red Chamber is concerned with philosophy, the universe, and literature itself.” Similar to Dream of the Red Chamber, Eileen Chang’s works transcend the limits of politics, the nation, and history while remaining concerned with philosophy, the universe, and literature itself. A literal translation of the metaphor would only sound odd and confusing for the English reader. Revision is also made to the classification of factors that give rise to stylistic shifts.
But as a translator, Chang has to take into consideration the target reader's expectation, and probably for this reason she reduces the frequency of the tag clause. When Xiao Ai heard the story, she felt sad, but at the same time she also gained a better understanding of the cannibalistic society. On the part of stylistic shifts, the translation employs both free and literal translation strategies. First of all, explicitation, the most prominent type of shift, often takes place in translation of culture-specific expressions. The woman's refusal to negotiate costs her the one chance for love and happiness, however flawed. As a result of the neutralizing tendency in shifts of attitudinal meaning, the TT brings forth a less "enthusiastic," and sometimes non-committing, narrator who narrates with less subjective language and thus has more proximity to the reader's world.
Subconsciously she is aware that the world is a machine running on power and money. Whereas, in the second tendency, the colloquial quality of some conversational clichés or conventional usages would be raised to a more standard level, such as bu shang taipan (p. 229) rendered as "not used to company" (p. 179) and shangtou-shanglian (p. 214) as "impertinent" (p. 145). Director Lee Hsiao-pin has created numerous award-winning productions while stylist Huang Wenying, winner of the Best Art Director at the Asia Pacific Film Festival, completes the extravaganza with elaborate costumes and authentic period sets.
TT5: ...her marriage will then be in the hands of heaven and left to fate. .
Encyclopedias almanacs transcripts and maps, The Golden Cangue (Jin Sou Ji) by Zhang Ailing, 1943. The Golden Cangue illustrates the decadence of the idle rich.
To make things worse, Love in Redland ends with excessively overt anti-Communist propaganda, as it describes how the main character, Liu Quan, after he goes to Korea as a Communist soldier to run away from a failed relationship with a girlfriend and then gets captured on the battleground, decides not to “seek freedom” in Taiwan but to go back to China to fight Communism. Her early works excel in ruminations on eternal questions and stay away from contemporary issues.
The death shocks everyone. A transeme is either a "state of affairs," i.e.  When Chih-shou is tortured and suffered throughout her life, she nearly has a nervous breakdown and the description of the moon is: "Outside the windows there was still that abnormal moon that made one's body hairs stand on end all over-small white sun brilliant in the black sky". But Chi-tse kept a distance with Ts’ao Ch’i-ch’iao because of the rites. ST9: Shougu lianr, zhukou xiya, sanjiao yan, xiaoshan mei.
Innovative Peking Opera at its best, The Golden Cangue is one of the programmes of the New Vision Arts Festival organised by the Leisure and Cultural Services Department. In the comparative model (Leuven-Zwart 1989), the ST and TT are first divided into segments of transeme. .See my book Fangzhu zhu shen (Exiling the gods) (Hong Kong: Tiandi tushu, 1994).
golden often used figuratively to convey an idea of supremely special quality.
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